How I did it: When I laid down the gel, instead of using completely random brush strokes like Susan, I made my strokes go only in one direction, like feathers (the strokes are going top to bottom). After the gel dried, I used a very limited palette (see Herron Class 2: Limited Palette) to paint the owl and tree. I only used Caput Mortuum, Lamp Black, Raw Umber and a bit of Prussian Blue.
I like how the owl is hiding in a place of safety: Serious Owl (c) 2010 by Jess Sanaie, 7x10in

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